The Tempest Reimagined remembers Yolanda

‘The idea started with a storm.’ Maribel Legarda, PETA’s artistic director, says of The Tempest Reimagined.

Advertisement

The Tempest Reimagined is an adaptation of William Shakespeare’s last solo work, The Tempest, and incorporates narratives from the survivors of Yolanda (International name: Haiyan), a super typhoon that hit the Philippines in November 2013 and claimed 6,000 lives.

The production between the British Council and the Philippine Educational Theater Association (PETA), in partnership with the Royal Academy of Dramatic Art (RADA) and the Japan Foundation, takes audiences from a fictional island on the Mediterranean to the tropical coast of Leyte.

A noteworthy artistic collaboration

At the helm is an impressive collaboration between RADA director and writer Nona Shepphard, Liza Magtoto of PETA as co-writer, British designer Marsha Roddy as production designer, and Japanese Tsuguo Izumi as lighting designer.

The fusion of East and West extends to the play’s script, which uses both the English and Filipino languages. The story includes the real and the imagined, the natural and the supernatural, the comic and the tragic—all in the tradition of Shakespeare.

“One of the reasons that Shakespeare’s work is so enduring is because it is endlessly adaptable. The moral complexity of his characters and the apparent broadness of Shakespeare’s own sympathies allow for any number of interpretations. Every production of The Tempest, for example, reveals new perspectives on Prospero or Caliban and encourages us to reflect again on the meaning of power and loss,” Nick Thomas, British Council country director, explains.

The British Council, together with the GREAT Britain campaign, is running the Shakespeare Lives programme, which celebrates the bard’s work on the 400th year of his death.

UK’s response to Yolanda

People in Britain saw the urgent needs of the victims of the super typhoon and the largest ever humanitarian assistance efforts was mobilised by the UK Government.

“Following the devastation brought upon by Typhoon Haiyan, the people of Great Britain raised P7-billion, which was matched by taxpayer’s funds by the Government. A 1,400-strong military and civilian team worked with international partners to deliver help directly to those in need,” recounts Ambassador Asif Ahmad.

“Our objective was, quite simply, to provide immediate food, shelter, and logistical support to people facing hardship. Some of our projects will have a longer term impact on livelihoods as better preparation for future natural disasters. Our self-sustaining approach to delivery was mindful of the need to avoid additional pressure on Filipino institutions that faced daunting challenges brought about by Haiyan.”

In 2013, Shepphard, with the support of the British Council and PETA’s Lingap Sining programme, also visited Leyte for workshops that use theater in tackling disaster response and resilience in communities. The stories of hope and survival that arose from this trip would eventually end up in the play’s script.

The Tempest Reimagined opened on November on the occasion of Yolanda’s third year anniversary and runs until December 4 at PETA Theater in Quezon City. Tickets are available at Ticketworld.

The November 11 premiere gala was supported by the GREAT Britain Campaign and hosted by the British Council, British Embassy, and British Chamber of Commerce.